Live Performance & Events
Role - Executive Producer
Overview -
Live performance captured through premium multi-camera production, editorial storytelling and strong visual direction, translating the energy of the room into compelling screen experiences across broadcast, digital and streaming platforms. This work spans everything from intimate studio-based performance and theatre shows to arena concerts, major outdoor events and festival coverage, delivered both live and post-produced for broadcasters, international partners and platform audiences.
Across these projects, I worked with leading live directors including Sam Wrench, Hamish Hamilton, Russell Thomas, James Barnes, Chris Howe, Matt Askem, Matt Amos, Tim Van Someren and Helen Downing, helping deliver productions that pushed beyond straightforward coverage into more cinematic, emotionally engaging and platform-aware forms of live capture. The focus was always on finding stronger ways to bring audiences closer to the performance, whether through scale, intimacy, musicality or visual innovation.
Catfish & the Bottlemen - Live at Brighton Dome
Role - Executive Producer
Channel - Apple Music
Overview -
A dynamic live capture of Catfish & the Bottlemen at Brighton Dome, filmed at a point when the band were emerging as one of the UK’s most exciting live acts. The project was designed to translate the raw immediacy of their performance into a cinematic multicam film that felt as urgent, physical and emotionally connected as being in the room.
Capture -
Directed by James Russell, the film was built around the band’s intensity on stage and the direct connection they had with their audience. The approach to the cut was crucial: rather than simply documenting the set, it was shaped to match the pace, momentum and release of the performance itself, capturing the push and pull between band and crowd in a way that felt immersive and alive.
What made the piece work was its balance of scale and intimacy. It preserved the rough-edged energy that made Catfish such a compelling live band, while giving the performance a more elevated visual treatment suited to broadcast and digital platforms. The result was a live film that felt immediate, youthful and musically precise, a strong representation of the band at a key point in their rise.
Impact -
Nominated for UKMVA best performance capture
Apple Music was the platform partner for the performances
Translated the intensity of the live show into a premium performance film for screen audiences
Kacey Musgraves - Country & Western Rhinestone Revue live at the Albert Hall
Role - Executive Producer
Channel - BBC Four
Overview -
A premium concert capture of Kacey Musgraves performing to a packed Royal Albert Hall, bringing one of modern country music’s most acclaimed artists into a cinematic multicam format for broadcast. By this point, Musgraves had already established herself as a major US artist and Grammy winner, with Same Trailer Different Park winning Best Country Album and Pageant Material earning a further Grammy nomination, helping define her as a fresh, progressive voice in contemporary country.
Capture -
Captured for BBC Four and directed by James Russell, the show balanced the grandeur of the Royal Albert Hall with the warmth, wit and emotional intimacy that define Musgraves’ live performance. Her Rhinestone Revue staging, complete with glittering visual detail, bold styling and a strong sense of personality, gave the performance real visual identity, while the set moved fluidly between full-band spectacle and more stripped-back moments.
What made the show especially compelling was that it captured both sides of Musgraves as an artist: the polish, humour and colour of her stagecraft, and the more vulnerable, emotionally direct quality of her songwriting. Alongside material from Same Trailer Different Park and Pageant Material, the performance included an acoustic moment of real intimacy and a bold covers of TLC’s ‘No Scrubs’ and Nancy Sinatra’s These Boots Are Made for Walkin’, helping create a live film that felt stylish, personal and musically distinctive.
Impact -
Broadcast as a premium BBC Four live music special.
Captured one of country music’s most acclaimed contemporary artists in a prestige London venue.
Helped bring Musgraves’ growing international profile to UK broadcast audiences.
Wildlife Music Festival
Role - Executive Producer
Channel - Channel 4 | 4 Music | 4OD 4 × 46’ episodes
Overview -
A large-scale live festival capture commissioned for the first edition of Wild Life, the new Brighton festival curated by Rudimental and Disclosure. Filmed across two days at Brighton City Airport, the project was designed to capture not just the headline performances, but the full scale, character and atmosphere of a new festival brand finding its voice.
Capture -
Captured using 12 multi-cameras alongside two roving crews, the production combined premium stage coverage with a more agile documentary layer that moved across the site to capture the wider energy of the event. Performances included artists such as Disclosure, Rudimental, Jamies XX, Mark Ronson, Wu-Tang-Clan, Years & Years, George Ezra, Skepta and Jess Glynne, giving the film real range across contemporary music culture.
What made the capture work was its balance of scale and texture. Alongside the main-stage performances, the roving crews were used to build a stronger sense of place and audience energy, while a dedicated backstage hub created space for artist interviews and additional editorial content. Directed by Sam Wrench, the result was a dynamic live film that felt broader than straightforward concert coverage, capturing both the musical impact of the performances and the identity of the festival itself.
Impact -
Captured the debut edition of a major new UK festival curated by Disclosure and Rudimental
Broadcast partnership with Channel 4 and additional content on YouTube
Featured a broad contemporary line-up including Years & Years, George Ezra, Skepta and Jess Glynne
Combined premium live performance capture with backstage and festival-atmosphere storytelling
